谢天新作

艺术美与技术美交相辉映，在富有仪式感的空间之中成为一个整体，形成全新的审美意象。

本雅明在《机械复制时代的艺术作品》中曾富有远见的指出，随着大工业机械复制时代的来临，艺术作品中的灵韵将逐渐消失，艺术品原作在特定空间和时间下的独特感受被削弱，艺术品与艺术复制品将越来越变得难以辨认，人们对艺术家及艺术作品的膜拜将不再存在，膜拜何以存在?

Benjamin once pointed out in a visionary way in "The Work of Art in the Age of Mechanical Reproduction" that with the of the era of mechanical reproduction of heavy industry, the aura in works of art will gradually disappear, the unique feeling of the original work of art in a specific space time will be weakened, and it will become increasingly difficult to distinguish between works of art and art reproductions.The worship of artists and works of art will no longer, why does worship exist?

然而，人们对艺术的追求则是无止境的。因此说，机械复制时代，现代社会的技术又为我们展开了一个全新的世界，那就是现代生活的泛艺术化及日常生活的审美化。在这样的一个时代背景下，人们的膜拜何以存在？

However, people's pursuit of art is endless. Therefore, it can be said that in the era of mechanical reproduction, the technology of society has opened up a new world for us, that is, the pan-artification of modern life and the aestheticization of daily life. In such an era, can people's worship exist?

在我看来，人们依然崇尚并痴迷于经典、永恒、英雄，只不过叙述的主角不再是王侯将相、才子佳人，而是一个个真实的人，甚至说就是自我。这是一个“山高我为峰”的时代，这是一个自我膜拜的时代。正如法国哲学家米歇尔·福柯（Michel Foucault）所说，“美学的生活，就是把自己的身体、行为、感觉和刺激，把自己不折不扣的存在，都变成一件艺术品。”

In my opinion, people still advocate and are obsessed with classics, eternity, and heroes. It's just that the protagonist of the narrative no longer the kings, generals, and talented men and beautiful women, but real people, or even the self. This is an era of "I am the peak the mountain", an era of self-worship. As the French philosopher Michel Foucault said, "The aesthetic life is to turn one's body, behavior feelings, and stimuli, one's unadulterated existence, into a work of art."

另一方面，我们对生活的审美越来越关注形式上的呈现，这就导致了另一个趋势，即生活场景的仪式化。

On the other hand, our aesthetics of life are paying more and more attention to the formal presentation, which has led to another trend, that is, the ritualization of life scenes.

文章标签: